London-based music supervisor specialising in feature films, documentaries and television

I started my career at Leland Music and Box to Box Films, before joining the supervision agency We Are Golden. I have been freelance since 2024. My credits range from major Netflix docu-series such as the BAFTA-nominated Drive to Survive and Emmy-nominated Tour de France: Unchained to independent features including Kindling and Grand Theft Hamlet.

Clearance and contract negotiation for commercial music, managing the process from initial outreach to final approvals so everything stays smooth and on schedule.
Production and commercial music searches, scene-specific ideas, tailored playlists, and detailed rights research for niche, rare, or archival recordings.
Drawing on a wide network of composers and artists, and supporting process as a score producer to keep things creatively aligned and running well.
Practical, clear advice on budgets for projects of any scale, helping you plan costs realistically and make the most of your resources.

I help shape the musical identity of a project from pitch to final delivery, balancing creative vision with practical licensing. My approach is collaborative and grounded in a broad, eclectic musical knowledge

If you’d like to discuss a project, collaborate, or even share some music, feel free to get in touch - I’d love to hear about what you’re working on.